Course Discussion with two questions

Please respond to this week’s screenings, readings, and lecture materials in an organized post that cites specific details from the programs and articles under discussion. You do not have to talk about all the texts for this week but should actively engage Michele Hilmes’ chapter from Radio Voices and at least one (1) screening (Empire of the Air or War of the Worlds) – please write about the texts that you find most interesting or compelling. Below are a few questions that you may choose to address (though you are welcome to reply in any way that makes sense and about other topics not posed here):

1:How do Michele Hilmes (“How Far Can You Hear?”) and Ken Burns (Empire of the Air) differ in their historical accounts of early radio’s development? How does each author or filmmaker define “important” figures and/or developments in relation to the new medium/technology? What overlaps and/or contradictions do you see in these narratives?
2: How does War of the Worlds reflect or play upon the social/cultural fears and anxieties that Hilmes discusses in relation to early radio? What specific devices does the broadcast employ to convey mood/tone and what other radio genres does Orson Welles/Mercury Theatre on the Air rely on to construct the program?

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